PUBLICATIONS on AUSTRALIAN CONTEMPORARY DANCE (by year)
2024
Brannigan, Erin. 2024. Precarious Movements: Dance and the Museum with Pip Wallis, Hannah Mathews, Louise Lawson and Amita Kirpalani, National Gallery of Victoria
Brannigan, Erin, Siobhan Murphy & Tia Reihana-Morunga (ed.) 2024, Moving South: The Reconceptialisation of dance research in the 2020s, Performance Paradigm, No. 19, pp.1-8
Gisell, Tami. 2024. Response and Responsibility: First Nations Performance and Public Collections, in conversation with Juanita Kelly-Mundie, Performance Paradigm, No. 19, pp.9-27
Keebler, Susannah, 2024. Embedded Dancer: A Model for Regional Dance Practice Survival in the Context of Crisis, Performance Paradigm, No. 19, pp.68-87
Leach, Paea 2024. a K Ō R E R O & a H U I : a conversation and a meeting in three parts, Performance Paradigm, No. 19, pp.109-124
Mehta, Alesha, 2024. Ritualistic Explorations towards Kama in Autoethnographic Creative Practice, Performance Paradigm, No. 19, pp.125-133
McNeilly, Jodie, 2024. Choreocraftivism: small gestures, gentle action and caring for things, Performance Paradigm, No. 19, pp.28-49
Newton, Rhiannon, 2024. Embodying an Ecological Condition: A Dance Practice Approach to Sensing Multiplicity, Performance Paradigm, No. 19, pp.50-67
Tonkin, Maggie, 2024. Choreographies of Collapse: Located and Unlocated Catastrophe in Works by Lucy Guerin, Garry Stewart and Meryl Tankard, Performance Paradigm, No. 19, pp.88-108
2023
Brannigan, Erin. 2023. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art 2023, University of Michigan Press.
Wait, Nalina. 2023. Improvised Dance: (In) Corporeal Knowledges, Routledge
2022
Brannigan, Erin. 2022. Choreography, Visual Art and Experimental Composition 1950s-1970s 2022, Routledge. Winner of the 2023 Selma Jeanne Cohen Prize in Dance Aesthetics, The American Society for Aesthetics.
2019
Brannigan, Erin. 2019. RealTime dances: the big picture Response: Dialogues with RealTime.
Card, Amanda. 2019. Body and Embodiment. The Routledge Handbook of Reenactment Studies, editors V. Agnew, J. Lamb, J. Tomann (Eds.), Routledge
Healey, Sue. 2019, Capturing the Vanishing: A choreographer and film, Platform Paper No. 60, Currency House.
2018
Long, Julie-Anne. 2018. People Like Us: Revolutions in Australian Theatre, Narrative in performance, editors B. Sellers-Young & J. R. McCutcheon, Red Globe Press.
Long, Julie-Anne. 2018. More Bums on Seat : Branch Nebula : Choreographing the Audience, Runway: Australian Experimental Art, No. 36
2017
Long, Julie-Anne. 2017. Tactical moves in strategic places: performing VaL, The Invisible in the MCA, Australia, Performance Paradigm, 13, 80-96
2016
Card, Amanda. 2016 Gertrud Bodenwieser (1890-1959). The Routledge Encyclopedia of Modernism. Taylor & Francis.
2014
Brannigan, Erin. 2014. Multiple introductory texts. Bodies of Thought: 12 Australian Choreographers. Eds. Brannigan and Baxter. Kent Town SA: Wakefield Press. 1-3, 4-5, 46-47, 92-93, 132-133.
Brannigan, Erin. 2014. Morphia Series: Choreographing Texture. Bodies of Thought: 12 Australian Choreographers. Eds. Brannigan and Baxter. Kent Town SA: Wakefield Press. 138-142.
Card, Amanda. 2014. Nerve 9: A world with(out) words. Bodies of Thought: Twelve Australian Choreographers. Eds. Erin Brannigan, Virginia Baxter, Kent Town SA: Wakefield Press. 150-159.
Long, Julie-Anne. 2014. Fine Line Terrain: The geography of dance. In Bodies of Thought: Twelve Australian Choreographers. Eds. Erin Brannigan, Virginia Baxter, Kent Town SA: Wakefield Press.